By Siegfried Zielinski
The media at the moment are redundant. In an summary of advancements spanning the previous seventy years, Siegfried Zielinski’s [ . . . After the Media] discusses how the technique of technology-based conversation assumed a systemic personality and the way thought, artwork, and feedback have been operative during this approach. Media-explicit considering is contrasted with media-implicit inspiration. issues of touch with an arts standpoint contain a reinterpretation of the artist Nam June Paik and an creation to the paintings of Jake and Dinos Chapman. The essay ends with appeals. In an overview of an actual philology of actual issues, Zielinski indicates chances of how issues may well continue after the media. With a vade mecum opposed to psychopathia medialis within the type of a manifesto, the e-book advocates for a contrast to be made among on-line lifestyles and offline being.
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Extra info for [...After the Media]: News from the Slow-Fading Twentieth Century
20 In 1 948, a year after his appearance before the Mc C arthy House C ommittee on Un-American Activities, B ertolt Brecht publishes his revised and condensed in structions for dramatic art in the scientific age . He calls it A Short Organum for the Theater. In the title B recht re establishes a connection to the texts of Aristotle, whose aesthetics he had energetically opposed with his concept of Epic theater. With the Greek word " organum" B recht emphasizes the toolbox-character of the work .
Eco writes the introduction and, shortly before his death, Peter 0. 4' . 41 42 Persona l commu nication, November 20 1 0 . Personal conversat ion in Rome, 4 / 8 / 2 0 1 1 . Balestrini (20 1 0 ) . In Italy the experimental novel was rediscovered two years ea rlier. II verri d evoted a Special I s s u e to it with the title "a ttivita combinatori e , " see Balestrini (2008) . 43 55 Nanni B a l e strini ( second from left) with Jean -Jacqu e s Lebel, Giairo D a ghini, Jea n - Pa u l d e Gau derna r, Felix Gu a tta ri , Christian D e s ca mp s , an d Jea n - Pierre F a y e ( from right to left) a t th e presenta t i o n o f th e j o u r n a l Change International in P a r i s 1 9 8 3 .
Three paradigms in particular underpin Simon don's philosophical reflections on technology: technical objects like machines must be understood as heteroge neous constructions; technical objects have to be con ceived in terms of ensembles; and technical objects are not fixed once a nd for all but are subject to continual change . In Deleuzian terms they are phenomena of be coming. Simondon's central idea that the machine is an alien which includes human elements, reveals an under standing of culture as a close-knit fabric of the human and the technological.
[...After the Media]: News from the Slow-Fading Twentieth Century by Siegfried Zielinski