By Dennis Schoeneborn
Powerfully pushed through the paintings of consulting organisations, the presentation softwear Microsoft PowerPoint is more and more used on all degrees of commercial and academic conversation. however, slidewear ranks amoung the least explored media in conversation reviews. This research investigates the function of PowerPoint in organizational communique, really when it comes to a sensible hindrance among its software for documentation rather than presentation reasons. This e-book is a worthwhile reference for teachers within the social sciences, in particular media and conversation stories, in addition to practitioners in company communique and information administration.
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Additional info for Alternatives Considered But Not Disclosed: The Ambiguous Role of PowerPoint in Cross-Project Learning
Shows which lose audience numbers are sometimes pressured to become more episodic, less complex. Earlier cult series such as The Avengers and Star Trek were more likely to be mainly episodic, but even they had a glacial, incremental forward movement; we learned of Spock’s parents or Mrs. Peel’s rediscovered husband as the series progressed. For the most part, cult series provide audiences with some closure at the end of most episodes, besides some through-story, thus engaging the potential for long-term development available in the many hours of television.
While the chapters in this volume deal with both US and UK television, here I focus solely on the latter, the complexities of which are more than enough for my allotted 5,000 words. 4. For a fuller account, see Messenger-Davies and Pearson, 2007: 209–223. 5. For a fuller account, see Pearson, 2007: 239–256. 6. com/hr/content_display/ television/news/e3i40c53e11c19e214eb627b388db788b37 7. The two-episode business model refers to the practice of an original airing during the regular season and a repeat-airing during the summer.
In this sense they are suited to the cultic valuing of difference. As for the use of language to quote or allude to earlier works of literature, some critics worry that discussing these elements of cult television is little more than an attempt to gain cultural capital – to curry cultural favour. Petra Kuppers, for instance, refers to Star Trek: The Next Generation’s ‘Shakespeare complex’ (2004: 50). I would argue instead that allusions to earlier literature are neither more nor less valid in television than they are in any other cultural product which incorporates language.
Alternatives Considered But Not Disclosed: The Ambiguous Role of PowerPoint in Cross-Project Learning by Dennis Schoeneborn